Pablo Picasso's Illustrations of Balzac's The Unknown Masterpiece Essay

Pablo Picasso's Illustrations of Balzac's The Unknown Masterpiece - Essay Example The essay "Pablo Picasso's Illustrations of Balzac's The Unknown Masterpiece" explores Pablo Picasso’s illustration of Balzac’s â€Å"The unknown masterpiece†. It is an edition of a short story by Honore de Balzac. This perception is dependent on the point from which the painting is viewed. The painter is obsessed with his work in which he has considerably spent a long time struggling to complete. Surprisingly, two painters who have been secretly admiring this painter’s work are dumbfounded as they cannot get a clear picture of what the work is. Pablo Picasso, a widely known Spanish painter and sculptor, is fascinated by the mystery behind this art work rendering homage to this kind of creativity. And as part of his printmaking etchings, he writes an accompaniment illustrating the Balzac’s work â€Å"The unknown masterpiece.† Studies done by various scholars reveal that Picasso’s works have had great impacts on the styles of many artis ts even to date. This paper discusses Pablo Picasso’s illustrations of Balzac’s â€Å"The Unknown Masterpiece† of 1931. Honore de Balzac’s â€Å"the unknown masterpiece† featured in the seventeenth century at a French studio in Paris. First published in 1831 by Balzac in a Parisian newspaper â€Å"L’Artiste†, the story reveals a lesson expounding on the statement â€Å"beneath the lines of every book is a face†. In this story, a young artist by the name Nicolas Poussin and his guide Francoise Porbus arrive in the studio of the era’s renowned painter, Master Frenhofer.

From Englightenment to Romantisicm Essay Example | Topics and Well Written Essays - 1500 words

From Englightenment to Romantisicm - Essay Example Mozart’s oeuvre often focuses on these subjects – he revolutionised traditional operas by making a member of the serving class the hero of one of his masterpieces in â€Å"Le Nozze di Figaro†, where the popular figure of Figaro (a barber) triumphs over his social superiors because of his higher moral values, and because of his wit. The play by Beaumarchais on which the opera libretto was based was banned in Vienna in the times just before the French Revolution, as the content was deemed too inflammatory. The opera â€Å"Don Giovanni† remains to this day one of the most often performed operas worldwide. This paper will explain the particular fascination this opera still holds today by demonstrating the complexity of two of the main characters of the libretto, Leporello, Don Giovanni’s valet, and Don Ottavio, the fiancà © of Donna Anna, one of the women Don Giovanni tried to seduce. As in the comic opera â€Å"Le Nozze di Figaro† Mozart and Da Ponte sketch a two-tier society and the characters in Don Giovanni are either members of the aristocracy or the serving class comprised of servants and peasants. Again, moral values are not identical with class and rank, but low morals can be found in the aristocracy (Don Giovanni) and high morals can be found in the peasant class (Zerlina, Masetto). Leporello appears to be a case of his own - in the first Act we find Leporello in the garden owned by the Commendatore whilst his master, Don Giovanni, is attempting to seduce Donna Anna, the Commendatore’s daughter and fiancà ©e of Don Ottavio. Leporello, although a loyal servant, is dissatisfied with his employment and with his master. He complains that he is kept busy day and night, as expressed in his aria â€Å"Notte e giorno faticar† which could be translated as â€Å"day and night nothing but work†. The close proximity to his master and the knowledge he has therefore gathered about his master’s life